Times attack

Total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Knock Out your opponent’s Active Pokémon 3 times with an attack from a Fighting-type Pokémon 5 Do 100 or more damage in total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Knock Out your opponent’s Active Pokémon 3 times with an attack from a Fighting-type Pokémon 5 Do 100 or more damage in total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Knock Out your opponent’s Active Pokémon 3 times with an attack from a Grass-type Pokémon 5 Do 100 or more damage in total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Knock Out your opponent’s Active Pokémon 3 times with an attack from a Water-type Pokémon 5 Do 100 or more damage in total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Knock Out your opponent’s Active Pokémon 3 times with an attack from a Fire-type Pokémon 5 Do 100 or more damage in total to your opponent’s Pokémon with one attack 5 Win this battle by turn 14 5 Win this battle without your opponent getting any points Battle Tasks 5 Win this battle with a deck whose Pokémon are only Grass-type 5 Win this battle using a deck where all the Pokémon cards are of , , and/or rarity 5 Win this battle by turn 12 5 Win this battle without your opponent getting any points Battle Tasks 5 Win this battle with a deck whose Pokémon are only Colorless-type 5 Win this battle using a deck where all the Pokémon cards

Of sudden level peaks and irregular playing. Creation of sustain with long notes (especially in song with low tempo), with a long release time, sync to tempo. Boosting quieter side notes (funk with fast release times must exclude sustain). Supporting rhythmic and percussiveness with long attack times (transients). Sometimes multiband compression can help a bass, only resort when all else fails. A good played baseline is worth millions, making easy manual level / volume / muting adjustments and less compression tricks needed for avoiding those dead notes or just edit them out of the baseline. Bit slower attack and slower release, so you leave or accentuate the transient of the hit. Off course if you want to smooth out the bass and bury your bass in the track by getting rid of the attack, have a fast attack on the compressor. Attack time can be set to between 10 ms to 40ms. For getting Bass more sustain, ratio 4:1 (to 6:1), reduce threshold until it hits. View the gain reduction meter, try to get the bass as stable in sustain as can be. Use some gain to compensate for reduction. Set release, so that the sustain reduction is stable. Attack times that are longer 5 ms to 30 ms is letting the transients (first part of a note) through pass. The compressor attack time can be used to control the snappiness and therefore the definition at the start of each note. The amount of compression controls the balance between the heavy sounding notes and corrects damping sounds and dead notes. The dead notes can be well emphasized with the compressor by sustaining. A short attack time cuts the transients more, therefore raising the sustain. The length of the bass note is the groove. Baselines specially sound good when notes sustain

Damage.Do note that players do not have the option to pick which map to fight, as it will be picked randomly from a whitelist. As such, the players should be well aware on what map they are in. The boss can best be fought at a large, spaciously open location devoid of obstacles, such as construct. Attack pattern[]Phase 1:[]Rushdown charge (random amount of times), fr???, repeatPhase 2:[]Motorbike (random amount of times), Rushdown charge (random amount of times), Fast charge (random amount of times), Rushdown charge (random amount of times), fr???, repeatPhase 3:[]Fast charge (infinitely)Rushdown charge[]This attack is fairly simple to dodge, it is recommended to go left or right depending on where the skeleton itself is facing. This attack is the simplest of all,fr???[]This is one of the strongest attacks of the skeleton, due to its tendency to shoot in your direction and one-shotting capabilities. At all costs, do NOT get close to the Skeleton, as each of the bullets will guaranteed shoot you. Do not go in one direction or jump. What is recommended is to get as far away as you can. When far away enough, observe where the bullet is going and go to the opposite direction, try to not get overwhelmed. Please note that the Skeleton will not aim for the head. (Small detail, it you're close enough to the skeleton, he will not be able to aim, and will miss all his shots ) Motorbike[]This attack may seem overwhelmingly impossible to dodge but it is simple when actually understood. Always go perpendicular against the motorbike. Speed items like Sunshine in a bag, Skeleton juice, Cassiebucks coffee, and 10 hour burst are greatly recommended. Try to not get overwhelmed, as it’ll screw you over. Patience is key to this attack and at all costs, do not focus on attacking during this attack. Common mistakes people make include:Changing direction after dodging an attack. Under no circumstances do you ever do this. Pick one direction, and change your angle to the skeleton's motorbike as needed.Walking in a straight line and hoping you dodge it like the fast charge attack. The skeleton's Motorbike attack hitbox, unlike the Charge or Fast Charge attack, lasts for as long as the skeleton is moving. This includes when he turns around, which means you can get hit when he turns around.Fast charge/Phase 3[]This is where the vampire knives come in, treat this attack similarly to the rushdown charge but instead of going left and right, choose one single direction and keep going in said direction. The vampire knives will greatly heal you and reaching this phase whilst having said vampire knives is almost an instant win. Use any healing items you have at this current phase as you’ll need them, as the chances of death are still possible. If you have one of the previously mentioned burst damage weapons you can win the war of attrition due to having the means to do tons of damage. This is less viable in larger servers

The languages you speak.Fixed Form. Gains identical benefits to your race.Same, But Different. -Mortally-Challenged. Same as before, except two levels of exhaustion instead.Figment. -Borderline Normal. Has as many attunement slots as you do.ActionsUnarmed Strike. Same as a living person.Empowered Form. -Almost Boring. Can perform all actions a living person can.1 Point Evolutions:• Variant I. Swim/climb 15ft. Once each.• Blindsight +15ft. Grants, or increases, blindsight 15ft. Can be taken a number of times equal to your proficiency modifier.• Un/Natural. Choose a damage type. Gain +1d4 damage with an unarmed strike for that type. Once only.2 Point Evolutions:• Variant II. Requires Variant I. Increase variant speed by 15ft. PB times each.• Attack I. Increase weapon attack damage by 1 step (1d4, 1d6, 1d8, 2d6, 2d8, 3d6...). Once only.• Super/Natural. Requires Un/Natural. Choose another type or increase one by +1d4. Once Only.• Nihil. Reaction: Take up to HD damage. Touch another creature to heal them the same amount. Once only.3 Point Evolutions:• Preter/Natural. Requires Super/Natural. Benefit from Super/Natural again. Can be taken a number of times equal to your proficiency modifier.• Attack II. Increase weapon attack damage by 1 step (1d4, 1d6, 1d8, 2d6, 2d8, 3d6...). Once only.• Tough Nut. Reduce damage taken by 1.• A Real Boy. Gain one non-spellcaster class level.4 Point Evolutions:• Attack III. Increase weapon attack damage by 1 step (1d4, 1d6, 1d8, 2d6, 2d8, 3d6...). Once only.5 Point Evolutions:• Hard to Kill. While you have at least 1 hit point, you heal 1 hit point per round.• Attack