Nuendo 12

Topic: MIDI Remote Script for Keylab 88 Mk 2 in Cubase (Read 3560 times) Has anyone created a midi remote script for the Keylab 88 Mk 2 (Cubase or Nuendo 12)? I see there is one for the Keylab essentials 88 but I have not found one for the Mk2. Logged Knightshot It irks me when I buy product and it won't interface to my software. I also am looking for a script and here after you posted months ago even Aturia has not posted a reply.I just picked mine up at the music store today and if I can't get it going within the next couple days it goes back for refund and I will get something else that IS compatible. The Steinberg forums said Aturia already had a script months but I haven't been able to find it Logged I read an earlier post asking about Nuendo integration with Keylab 88 Mk ii. I have been using Nuendo 12 with my Mk ii for almost a year & everything is working great. I thought the remote script would help with my workflow but since working in DAW mode, I am able to control Nuendo’s transport functions right from the MK ii. Also the faders work the mixer & I was able to map other buttons & controls using Arturia’s Midi Control Center. When I want to use the faders to control MIDI ie expression, volume etc, I just switch it over to USER mode. I mapped my first two faders to CC 11 & CC 1. The MK ii is an excellent controller for Nuendo & I’m sure for Cubase as well. Logged Any progress on this Cubase 12 Midi Script for Arturia Keylab MK2 It is a claer show stopper for potential buyers.I have a Minilab Mk2 and there is a default script, but if I want more keys and want the mk II keybords there is still no move from Arturia months/year after new Cubase 12 Midi Remote ... Logged Logged

Steinberg's Nuendo is a powerful DAW for sound design work, and in this very in-depth guide, veteran sound designer, recordist - and Nuendo power user - Saro Sahihi shows you a large selection of features, tips, tricks and clever shortcuts for making the most of it as a sound designer:Written by Saro Sahihi, SoundBitsPlease share:Topics and features covered:1. Direct Offline Processing • 2. Workflow Gimmicks • 3. Sample Editor • 4. Export Options • 5. Key Commands / Macros / Project Logical Editor • 6. Automation • 7. (Cycle-) Markers- / ADR-Panel • 8. Media Bay and Pool / Library • 9. Sampler Track • 10. Game Audio Connect • 11. Ambisonics • 12. Multi-Panner and IOSONO Anymix Pro • 13. ReConform • 14. Network Editing • 15. External Synth and FX • 16. Control Room1. Direct Offline ProcessingOne of the most powerful features for designing sounds, editing and even mixing in Nuendo is the “Direct Offline Processing” (DOP) which was introduced in Nuendo 8. This function allows you to directly render any VST(3)-plugins and processes like Normalization or time stretching directly in any audio event. At first glance this doesn’t sound dramatically unique since many DAWs allow you to offline render effects in selected audio events.In Nuendo (and meanwhile also in Cubase) this goes several steps further…sa) By checking “Auto-Apply” any parameter change is instantly rendered into the audio event. This and the fact that each audio-event has it’s own list of DOP-Processes lets you create variations of the same sound in no time. Of course it is possible to do these adjustment for several clips at once if they have the same plugin in the list. If there were process applied after the adjusted plugin then these get re-applied automatically.This gives a realtime feel while leaving your CPU alone.b) It’s fully reversible at any time and is stored within a project for every audio event individually. This means any plugin in the processing chain can be adjusted, bypassed or removed at any time while keeping all other plugin in the chain active. It is also possible to change

USER-FRIENDLY UPGRADE WITH NEW FEATURES, TOOL SETS, PLUG-INS Nuendo 5’s Mixer features the new Waveform view.I started using Nuendo about 11 years ago, back when state-of-the-art, tape-based digital recording systems like Sony’s PCM-3348 seemingly became obsolete overnight. You had a choice: Use Pro Tools, or die the slow, painful death of becoming an irrelevant recording engineer. There were other DAW options at the time, but computers were slow and not very powerful, so host-based DAWs struggled. Pro Tools offered a complete, proprietary system of software, hardware interfaces and DSP cards that made up for the deficiencies of the computer. There seemed to be little concern about how it sounded, as everyone just bought into the idea that it was digital, so it must be perfect. To me, Digi’s 888 converter was far from perfect, and I was in search of something better.I heard a demo of Nuendo 1.5 and sonically I was blown away. Everybody wants great sound, right? Well, Nuendo 1.5 had its share of problems, like crashing in the middle of a great take while tracking, but because I always seem to support the underdog, I stuck with Steinberg. Here we are all these years later with the release of Nuendo 5, which is solid and loaded with great new features.EASY UPGRADEI should say up front that Nuendo 5 caters to the desires of post users, and the post engineer will find many new benefits. A post engineer I’m not, although I’ve found many features like direct busing useful for music production. I’ll touch briefly on Nuendo’s post functions, but will mostly restrict this review to features for studio recording.Steinberg has always been 100-percent committed to backward compatibility, and V. 5 is no exception. I can still open one of my V. 1 projects in 5 without issues. In fact, I can still use all of the same plug-ins and hardware interfaces that I purchased all those years ago. Installation on my dual-core PC running AMD’s latest 12-core chips (a total of 24 cores) was no problem. My entire plug-in, preference and template sets were automatically brought over.Reassuringly, I didn’t have to uninstall V. 4 to install V. 5, but I haven’t looked back since doing so. All the great features like Lanes, Folder tracks, unlimited levels of undo, volume handles on each region, drawing volume curves directly on the region and the grooviest of all Zoom approaches have been retained. Many of these features have been copied by the competition.Version 5 uses a brand-new mix engine. I initially thought this might mean sonic improvement (how could it though?), but what it really means is a lower CPU drain due to better optimization of the multicore processors. There’s