Fabfilter compressor

FabFilter is a name which carries a lot of weight in the sound design and engineering world. With a wealth of powerful plugins under their belt used by many of the top names in music production, their steadfast commitment to intuitive design and beautiful sound have inarguably set them apart for many from the seemingly endless field of plugin manufacturers in today's market.If you're just starting your FabFilter journey, or have yet to get to grips with some of the company's more popular plugins, the Essentials Bundle is without a doubt the place to start. The Essentials Bundle, as you might expect, gets you full and unlimited access to FabFilter's most essential mixing tools: their professional EQ, Reverb and Compressor, all of which have been tried-and-tested the world over by millions of satisfied users, many of which have gone on to become vocal advocates of the brand's ability to boost productivity through superb sound quality and innovative, user-friendly interfaces.Bring better sound and improved processing power to your studio today through your entryway into the world of FabFilter plugins: the Essentials Bundle!FabFilter Pro-C 2Professional compression for everyoneFabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with stylePro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead,

Incredible sound and character FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style The way the Pro-C shows you the compression is ingenious. All of the FabFilter plug-ins seem to be designed to be simple to use and easy to get results while sounding incredible. Everything you need Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there's more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface. Beautiful interface and optimized workflow The fully redesigned interface in FabFilter Pro-C 2 offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. And the large side-chain EQ controller makes it easier than ever to filter the trigger signal any way you like. FabFilter goodies Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter

Well worth checking out though. If you like multiband compression but don't like getting bogged down in the complexities of multiband compression then try the S73, for everything else the Drawmer 1973 will not disappointVisit the Softube website for more information about both the S73 and Drawmer 1973.FabFilter Multiband Pro-MB FabFilter plug-ins are tools for the modern producer. What makes the Pro-MB multiband compressor plug-in unique is that users can add up to six bands of compression and Pro-MB doesn't split the frequency spectrum up with crossovers like other multiband compressor plug-ins - in short, Pro-MB feels much more like an EQ in use which in turn makes Pro-MB a very intuitive way of working with multiband compression. Pro-MB is very similar to FabFilter's amazing EQ plug-in Pro-Q2 as both these plug-ins, in my opinion, are feature rich and are very much swiss army knives of their plug-in categories.Visit the FabFilter website for more information about Pro-MBUAD-2 Precision Multiband The Precision Multiband plug-in for the UAD-2 platform is a great bread and butter dynamics tools that not only compresses but also expands and gates. Like Waves LinMB, this plug-in has also been around for a few years so compared to more modern alternatives this feels quite traditional - which isn't a bad thing let me tell you. Using multiband compression can sometimes be a challenge for beginners but a good way of developing a multiband compression workflow is to use straight forward tradional plug-ins such as The Precision Multiband.Visit the Universal Audio website for more information about UAD-2 Precision Multiband plug-inAvid Pro Multiband CompressorThe Avid Pro Multiband Compressor plug-in is one I have yet to try, however, both Russ and Julian use it in their workflows. Check both their tutorial videos out below showing how to use the Avid Pro

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August 26, 2015FOR IMMEDIATE RELEASEFabFilter is proud to announce availability of FabFilter Pro-C 2, a major update to the FabFilter Pro-C compressor plug-in. Five brand-new compression styles make FabFilter Pro-C 2 even easier to set up and more effective in common scenarios such as vocal processing, mastering or EDM pumping. It’s like getting five new compressors! Together with an abundance of new features, such as lookahead, range, hold, side-chain EQ, oversampling, and a fully redesigned user interface, FabFilter Pro-C 2 surpasses its predecessor in every way while respecting the original’s transparency and elegance.Compress with styleFabFilter Pro-C 2 introduces five new, carefully designed compressor algorithms, each with a unique character and feel. Using the Vocal style, getting a lead vocal upfront in your mix is as easy as choosing the right threshold. The Mastering style is designed to be as transparent as possible, while still being able to catch those fast transients. To add a pleasant ‘glue’ to drums or mix buses, the Bus style will work wonders! Finally, the Punch style delivers traditional, analog-like compression behavior, which sounds good on anything, while the Pumping algorithm offers deep and over-the-top pumping — great for drum processing or EDM.All you needA rich set of new features offers more control over the compressor’s sound and character. The knee is now freely adjustable from 0 dB up to 72 dB, and the range setting lets you easily limit the maximum amount of gain change. The smooth lookahead (up to 20 ms) and hold settings help you to catch any peak while minimizing distortion. The optional high-quality oversampling (up to 4x) further ensures the most transparent results possible by reducing aliasing. Last but not least, advanced side-chain EQ’ing and M/S processing is easier than ever thanks to FabFilter Pro-C 2’s dedicated side-chain section.Redesigned interfaceThe well laid-out, fully-redesigned Retina interface offers insightful metering with real-time displays that will greatly improve workflow. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. In short, FabFilter Pro-C 2 wraps superb sound quality and an extensive feature set in a polished, time-saving user interface.Key features:Eight different compression styles, five of which are new in version 2: Vocal, Mastering, Bus, Punch and PumpingRemarkable Retina interface, with (optional) animated level knee displays and accurate peak/loudness meteringSide-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filterProgram-dependent attack and release curvesSmooth Lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processingIntelligent Auto GainHold (up to 500 ms)Custom Knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects)Auto ReleaseUp to 4x OversamplingVariable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processingAudition Triggering option, which enables users to hear on which parts of the audio FabFilter Pro-C 2 is triggering and how

Can't be compared in price range at all. Definitely a tool of such performances is more than inviting for real life scenario test runs. Looking forward at many of established professionals here who dived deep in Unisum to give this one a try. So curious. Any of beta testers or pre-demo people who would share details? That would be great to hear from the first hand experiences. How about it girls and boys? Lives for gear Joined: Oct 2005 Posts: 5,138 🎧 15 years Quote: Originally Posted by traumerei1838 ➡️ This looks excellent. Unisum has way too many knobs and everyone who values their time knows that. So 30 bucks for what looks like a mastering compressor is an instant buyParallel comp, gain limit, adjustable knee and release, that's all sick features. And way less knobs. Yeah I totally hope this thing sounds sweet cuz I am ready for a new transparent compressor.Nice price too!Thank you Toneboosters. You might like to try Unisum against Toneboosters Compressor V4 before you make any such assumptions.My first impressions of Compressor V4 are not at all good. I need to fiddle a bit more with it before I write anything conclusive but as I said on KvR, this thing is _extremely_ difficult to setup reliably to sound good on complex program material (aka mastering or any kind of bus duties). I'd say Unisum and Compressor V4 live on the exact opposite extremes when it comes to ease of setting up and sounding "musical". Unisum is the current King of ease of use in terms of always sounding good. Compressor V4 is in the other end and requires extreme tweaking to avoid pumping, a harsh attack and a very weird sounding release.Those are my initial impressions of Compressor V4.Oh and for the record, I absolutely adore Toneboosters plugins and own most of them. Morphit, Sibalance and Reelbus v4 are used all the time. Gear Addict Joined: Dec 2016 Posts: 339 🎧 5 years I think at current level, this digital compressor entered the game too late that has already seen the similar or better alternatives out there. Smartcomp($50 on sale) sounds incredibly musical with a more useful AI and dynamic band action and pretty much all the functions here minus the mid-side. This plugin also compares to bx_dyneq($30 usually) with a fabfilter type GUI plus and minus some features. Then of course there’s fabfilter C3(Expensive)