Darker than black torrents

Is lighter than 50% gray, the result color is lighter than the underlying color, as if dodged. If the source color is darker than 50% gray, the result color is darker than the underlying color, as if burned. A layer with pure black or white becomes markedly darker or lighter, but does not become pure black or white. Hard Light Multiplies or screens the input color channel value, depending on the original source color. The result is similar to shining a harsh spotlight on the layer. For each color channel value, if the underlying color is lighter than 50% gray, the layer lightens as if it were screened. If the underlying color is darker than 50% gray, the layer darkens as if it were multiplied. This mode is useful for creating the appearance of shadows on a layer. Vivid Light Burns or dodges the colors by increasing or decreasing the contrast, depending on the underlying color. If the underlying color is lighter than 50% gray, the layer is lightened because the contrast is decreased. If the underlying color is darker than 50% gray, the layer is darkened because the contrast is increased. Linear Light Burns or dodges the colors by decreasing or increasing the brightness, depending on the underlying color. If the underlying color is lighter than 50% gray, the layer is lightened because the brightness is increased. If the underlying color is darker than 50% gray, the layer is darkened because the brightness is decreased. Pin Light Replaces the colors, depending on the underlying color. If the underlying color is lighter than 50% gray, pixels darker than the underlying color are replaced, and pixels lighter than the underlying color do not change. If the underlying color is darker than 50% gray, pixels lighter than the underlying color are replaced, and pixels darker than the underlying color do not change. Hard Mix Enhances the contrast of the underlying layer that is visible beneath a mask on the source layer. The mask size determines the contrasted area; the inverted source layer determines the center of the contrasted area. Difference For each color channel, subtracts the darker of the input values from the lighter. Painting with white inverts the backdrop color; painting with black produces no change. Subtract Subtracts the source file from the underlying color. If the source color is black, the result color is the underlying color. Result color values can be less than 0 in 32-bpc projects Exclusion Creates a result similar to but lower in contrast than the Difference mode. If the source color is white, the result color is the complement of the underlying color. If the source color is black, the result color is the underlying

Result color is never brighter than the original. If either input color is black, the result color is black. If either input color is white, the result color is the other input color. This blend mode simulates drawing with multiple marking pens on paper or placing multiple gels in front of a light. When blending with a color other than black or white, each layer or paint stroke with this blend mode results in a darker color. Color Burn The result color is a darkening of the source color to reflect the underlying layer color by increasing the contrast. Pure white in the original layer does not change the underlying color. Linear Burn The result color is a darkening of the source color to reflect the underlying color. Pure white produces no change. Darker Color Each result pixel is the color of darker of the source color value and the corresponding underlying color value. Darker Color is similar to Darken, but Darker Color does not operate on individual color channels. Linear Dodge (Add) Each result color channel value is the sum of the corresponding color channel values of the source color and underlying color. The result color is never darker than either input color. Lighten Each result color channel value is the higher (lighter) of the source color channel value and the corresponding underlying color channel value. Screen Multiplies the complements of the channel values, and then takes the complement of the result. The result color is never darker than either input color. Using the Screen mode is similar to projecting multiple photographic slides simultaneously onto a single screen. Color Dodge The result color is a lightening of the source color to reflect the underlying layer color by decreasing the contrast. If the source color is pure black, the result color is the underlying color. Linear Dodge (Add) The result color is a lightening of the source color to reflect the underlying color by increasing the brightness. If the source color is pure black, the result color is the underlying color. Lighter Color Each result pixel is the color of lighter of the source color value and the corresponding underlying color value. Lighter Color is similar to Lighten, but Lighter Color does not operate on individual color channels. Overlay Multiplies or screens the input color channel values, depending on whether or not the underlying color is lighter than 50% gray. The result preserves highlights and shadows in the underlying layer. Soft Light Darkens or lightens the color channel values of the underlying layer, depending on the source color. The result is similar to shining a diffused spotlight on the underlying layer. For each color channel value, if the source color

The contrast is increased. Linear Light Burns or dodges the colors by decreasing or increasing the brightness, depending on the underlying color. If the underlying color is lighter than 50% gray, the layer is lightened because the brightness is increased. If the underlying color is darker than 50% gray, the layer is darkened because the brightness is decreased. Pin Light Replaces the colors, depending on the underlying color. If the underlying color is lighter than 50% gray, pixels darker than the underlying color are replaced, and pixels lighter than the underlying color do not change. If the underlying color is darker than 50% gray, pixels lighter than the underlying color are replaced, and pixels darker than the underlying color do not change. Difference Looks at the color information in each color channel and subtracts the lighter colors from the darker colors. Blending with white inverts the backdrop color and blending with black results in no change. Exclusion Creates a result similar to but lower in contrast than the Difference blending mode. If the source color is white, the result color is the complement of the underlying color. If the source color is black, the result color is the underlying color. Subtract Subtracts the source color from the underlying color. If the source color is black, the result color is the underlying color. Divide Divides underlying color by source color. If the source color is white, the result color is the underlyingcolor. Rasterization control for vector artwork Puppets based on vector format such as Illustrator artwork are rasterized by default at 200% resolution, but you can adjust the rasterization scaling or render the artwork as vectors. However, some features are not currently supported when rendering as vectors.To control how vector-based puppets are rendered:Select the puppet in the Project panel or open the puppet in the Puppet panel.In the Puppet section of the Properties panel, select the Render as Vector option to keep the artwork as smooth as possible (but with rendering limitations) or deselect the option to rasterize the artwork at a specific resolution but with full fidelity.To adjust rasterization control

50% gray has produces no change.Soft LightSimilar to overlay but will less contrast because it uses darken and lighten rather than multiply and screen. This is like casting a diffused light from the blend color. Blending with 50% gray has produces no change.Hard LightThis is like shining a harsh spotlight at the image. If the blend is darker than 50% gray if multiplies, if its lighter than 50% gray it screens.Vivid LightWorks like Hard light but uses color dodge and color burn rather than Multiply and screen. Produces a higher contrast image than Hard light.Linear LightThe blend color is the light source. If the blend color is lighter than 50% gray, the result is dodged by increasing brightness. If the blend color is darker than 50% gray, the result is burned and brightness is reduced.Pin LightWhere the colors are 50% gray on the blend layer, the base layer shows through. Lighter or darker than 50% gray will display on the blend color.Hard MixReduces the image to solid red, green, blue, cyan, yellow, magenta, white, or black. These are the primary colors. No gradients will be displayed in the image. This produces a posterized effect.DifferenceThe lightest colors are subtracted from the darker colors. White inverts the base color and black produces no change. This psychedelic blend mode is useful for aligning layers together, because it shows the difference between the layers.ExclusionSimilar to the difference mode, but with less saturation. The result is very little luminance is shown for the blend pixels.HueUses the color hue of the blend color. The Saturation and the luminosity of the base pixels are used.SaturationUses the color saturation of the blend color. The hue and the luminosity of the base pixels are used.ColorThe color from the blend color is used. The luminosity (Image detail) from the base